What about
The Island of Dr. Moreau and The Strange Case of Dr. Jekyll and Mr. Hyde
inspired you to write your own interpretation of the story? I
loved the classics when I was a teenager. These in particular bring up such
fascinating and frightening ideas about the dark extremes of science. Even if
medical technology has improved since they were written, scientific ethics
haven’t necessarily, so I think the basic themes are still relevant for modern
readers. However, these books had very few female characters, and I wanted to
explore retelling them from different, feminine perspectives.
Even
though you based your story on The Island of Dr. Moreau and The Strange Case of
Dr. Jekyll and Mr. Hyde, how much research did you have to put into it? I did quite a bit of research for both books, including
taking a trip to London to capture to feel of the dark streets of Whitechapel.
I heavily researched Victorian-era medicine and surgery, as well as more
disturbing topics like vivisection and galvanism. And of course, there was lots
of historical details I needed to research—what people wore, what sayings and
curses were popular at the time, that sort of thing.
What can
you tell us about HER DARK CURIOSITY without giving too much away? HER
DARK CURIOSITY is a direct sequel to THE MADMAN’S DAUGHTER, picking up in
London about six months after the events on the island. We learn what has
happened to Juliet, and the fate of everyone left behind on the island, and we
learn that there is a new danger stalking Juliet—a mass murderer who seems to
know quite a bit about her. Once more, Juliet has to face a danger that is very
personal.
Can you
tell us what story the third book will be based on? Yes!
It’s inspired by FRANKENSTEIN by Mary Shelley. It isn’t a direct
retelling—rather, it’s inspired by the legacy of Frankenstein and the science
of galvanism. There’s plenty more dark experimentation and twists and
surprises.
The
Madman's Daughter trilogy is gothic and dark. What about the genre and
tone inspires you to write? I’m in love with the rich atmosphere of Gothic literature.
It’s so haunting and mysterious that it feels like anything could happen. It’s
easy to believe that ghosts are real or people are capable of monstrous things.
And I love how timeless the feel is of Gothic literature.
What does
it feel like wrapping up a trilogy? Will we see any of these characters
again? I’ve just finished the first draft of the third book. It’s
bittersweet—I’ve been with these characters for years and it’s both strange and
satisfying to wrap up their story. I can’t give too much away, but many of the
characters from the first novel are present in the second and third; some live,
some die, and some have very unusual fates…
Has your
writing process changed throughout the course of the 3 books or has it
generally stayed the same? By now, I’ve developed a system for writing. I love
organization, so I use lots of charts and graphs and outlines and sticky notes.
But at the same time, each book is different. Each time I start one feels like
the first time I’ve ever written a novel. It’s still just a blank page you have
to fill, hopefully with something worth reading, and that can be so incredible
challenging!
What can
you tell us about The Cage trilogy? THE CAGE will be my next trilogy, coming out summer 2015.
It’s a YA science fiction about a superpowerful race called the Kindred who
abduct human teenagers for a “human zoo.” There’s madness, and danger, and
escape, and romance, and I’ve had so much fun working on it!
Any advice
for aspiring writers? I know it’s difficult not to obsess over getting published,
but it really is so much more important in the long run to write a high-quality
novel you are proud of, then to get published quickly. Take your time to really
study writing, read everything, get your work critiqued. Getting published is
the easy part—the hard part is writing a great novel. Once you’ve honed your
craft and understand what makes books marketable and come up with a great idea
that you’ve executed well, then getting published will come naturally. Focus on
writing the book, not publishing the book.
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